Sonic Days 2024: Full Schedule

arrow_back View All Dates

10:30 CET

Sound design for automotive

Wednesday November 20, 2024 10:30 - 11:30 CET

Sound interaction plays a crucial role in the general user interface of a car, especially since the task of driving a car largely occupies the driver visually. Hence automotive sound design is generally intended to promote safety and optimize usability. As the automotive industry is in the transforming, shifting from combustion to electric propulsion, manual to autonomous driving and adding new mobility solutions, new use cases are arising including possibilities as well as challenges with regards to the need of sound interaction and design. This session will cover some background, the current use of sound design and sound interaction principles as well as upcoming trends and outlooks for sound interaction in automotive industry with a special focus on Volvo Cars implementation.

Speakers

Fredrik Hagman

Volvo Cars

Wednesday November 20, 2024 10:30 - 11:30 CET
3.09 - Dynaudio Universitetsparken 2, Kolding, Danmark

Interactive Audio, Intermediate

13:00 CET

4 Sound Perspectives in Mixed Reality.

Wednesday November 20, 2024 13:00 - 14:00 CET

3.09 - Dynaudio

Creative Sessions:

Creating immersive experience on multi platforms, ways of composing music for interactive immersive environments, including installations, exhibits, and VR/AR experiences.

Hear directly from creators Mons Niklas Schak as he share their experiences, challenges, in bringing audio-driven projects to life.
Based on the site-specific audiovisual experience Cars Choir - The Redemption Sound, the project explores interaction in a Mixed Reality ,
which merges Dolby Atmos, 3D audio in VR, and augmented reality to create a unique auditory experience on multi platforms.

It inspires creative minds to rethink how we can use technology to create meaningful and interactive experiences in new ways.

Speakers

Mons Niklas Schak

Assistant Professor in film composition, Danish National Academy of Music.

Mons Niklas Schak : Over the past 22 years, I've composed music for films, art installations, virtual reality, TV series, dance performances, and released 5 albums. I composed music for "Heirloom" by Larissa Sansour/Søren Lind for the 58th Venice Biennale, "The Ambassador" by Mads... Read More →

Wednesday November 20, 2024 13:00 - 14:00 CET
3.09 - Dynaudio Universitetsparken 2, Kolding, Danmark

Interactive Audio

15:30 CET

Sonic Travel

Wednesday November 20, 2024 15:30 - 16:30 CET

3.09 - Dynaudio

How to compose out of pure movement using vertical dancers, a VR system, binaural sound, some programming and a lot of imagination? BEFORE notes and harmony, BEFORE rhythm and timbre. Pure movement in space as the beginning of composition.
A part of MicroGravity (an action performance by Sparrow Dance), Sonic Travel is a sound installation which visually links the blind with the deaf, and in which the two spaces they individually choreograph become renewed tools for the creation of music.

Speakers

Yann Coppier

Sound Artist, Ovale

Yann Coppier is a sound artist, composer and PhD candidate in artistic research in music at Lund University (Sweden).An experimental musician focusing on absurd sounds, he tends to be pushing for extremes while creating new techniques in order to generate, record and diffuse sounds... Read More →

Wednesday November 20, 2024 15:30 - 16:30 CET
3.09 - Dynaudio Universitetsparken 2, Kolding, Danmark

Interactive Audio