Sonic Days 2024

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09:30 CET

Sound in Museums: Welcome 4.40 - Conference RoomBirgitte Folmann • Alcina Cortez Getting Started with Dolby Atmos 0.40 - CinemaJohn Scanlon • Dolby Institute Beginner Tips & Tricks with Wwise 3.39 - AudiokineticMads Maretty Sønderup • Audiokinetic Insights from the Studio: Flemming Rasmussen’s Work with Metallica 3.05 Recording StudioFlemming Rasmussen Designing Immersive Concerts 3.26 Meyer SoundIanina Canalis • Arve Gotfredsen • Meyer Sound Music and Sound Design for Operation Pellegrino 3.40 - NeumannOskar Lemke

09:45 CET

Alcina Cortez - Sound in Museums 4.40 - Conference RoomAlcina Cortez

10:30 CET

Sound design for automotive 3.09 - Conferences roomFredrik Hagman Introduction to On-Set Sound: The Role of the Sound Mixer in Film 3.27 - AdamsonAllan Holmberg • Nordisk Film Fonden

11:00 CET

Behind the Making of 'Tyran' 3.21 - Shure & L-AcousticsEmil Rothstein-Christensen • Anders Stegger Spatial Soundpiece for Rudolph Tegners museum 4.40 - Conference RoomDitte Rønn

11:30 CET

Navigating Your Career in Audio: Education, Networking, and Opportunities 3.05 Recording StudioJohn Krivit A Linear Score in an Interactive Medium: The Music of Avatar: Frontiers of Pandora 3.39 - AudiokineticLasse Skak Ernst • Massive Atmos First: Elevating Stereo Mixes with Immersive Technology 3.40 - NeumannDavid Ziegler • Frank Grønbæk Tracking and localization of sound at Det Kongelige Teater 3.26 Meyer SoundJonas Vest The Art of Foley in Storytelling 0.40 - CinemaShelley Roden • Nordisk Film Fonden

13:30 CET

The Sonic Freelancer: Navigating your Game Audio Journey 3.39 - AudiokineticRonny Mikkelsen • Nikalaj de Haan • Mikkel Anttila • Katrine Amsler • Fanny Wree • Game Audio Denmark Introduction to Immersive Production for Binural Audio 3.21 - Shure & L-AcousticsMarcela Rada Decounstruction of Sound Good & Evil 3.09 - Conferences roomIngeborg Okkels Integration and interoperability in immersive live production 3.27 - AdamsonSylvain Thévenard • Adamson Wings of Imagination: The Affordances of Sound in Museum Exhibitions 4.40 - Conference RoomChristian Hviid Mortensen • Vitus Vestergaard

14:00 CET

Safe Listening Practices for Audio Engineers 3.05 Recording StudioThomas Lund The Future of Podcasting: How to Develop and Empower New Talent 3.26 Meyer SoundFinn Markwardt • Søren Brunsgaard • Anna Svendsmark Møller • dorte palle jørgensen • Anders Stegger • Sandra Mia Susgaard Case Study: Zone of Interest 0.40 - CinemaPeter Albrechtsen • Johnnie Burn • Nordisk Film Fonden

15:00 CET

Ineffective investigations, DIY experiments and an abandoned Oil Tank 3.39 - AudiokineticKatrine Amsler Designing Sound Worlds for Museums - Challenges and Creative Opportunities 4.40 - Conference RoomDavid Kamp

15:30 CET

Dolby Atmos Mixing - from headphones to the studio 3.40 - NeumannJohn Scanlon • Dolby Institute Sonic Travel 3.09 - Conferences roomYann Coppier Crafting Immersive Audio Experiences for Audible and Beyond 3.27 - AdamsonKurt Martinez • Dolby Institute Introduction to Immersive Sound for Film and TV: Techniques and Tools 0.40 - CinemaLeslie Gaston-Bird • Nordisk Film Fonden

16:00 CET

Introduction to Immersive Formats and Envelopment 3.05 Recording StudioEddy Bøgh Brixen • Thomas Lund The Sound of Immersion: Mixing Metallica’s 360-Degree World 3.26 Meyer SoundGreg Price

17:00 CET

Why Immersive Audio? – Industry Leaders on the Future of Sound 3.27 - AdamsonMarcela Rada • Fredrik Hagman • Oliver Scheuregger • David Ziegler Crafting Sound for Global Brands: The Art of Music Production 3.21 - Shure & L-AcousticsStine Kinck Sonic Heroes: The Art of Sound in Deadpool & Wolverine 0.40 - CinemaPeter Albrechtsen • Craig Henighan • Lora Hirschberg • Nordisk Film Fonden

19:30 CET

Screening: Roma 0.40 - CinemaPeter Albrechtsen • Craig Henighan • Nordisk Film Fonden

20:00 CET

Immersive Concert - TBA 1.15 - Studentsbar

Sonic Days 2024

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