Sonic Days 2024

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09:30 CET

Sound in Museums: Welcome 4.40 - Conference RoomBirgitte Folmann Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Getting Started with Dolby Atmos 0.40 - Motion Picture Sound EditorsJohn Scanlon • Dolby Institute Beginner Tips & Tricks with Wwise 3.39 - AudiokineticMads Maretty Sønderup • Audiokinetic Exploring Thingpower: Album Creation and Dolby Atmos Mix 3.05 - Recording StudioPeter Albrechtsen • Frank Grønbæk • Troels Abrahamsen Designing Immersive Concerts 3.26 - Meyer SoundIanina Canalis • Arve Gotfredsen • Meyer Sound Music and Sound Design for Operation Pellegrino 3.40 - NeumannOskar Lemke

09:45 CET

ATT Moved: On the awakening of high security glass displays in museums with light and sound 4.40 - Conference RoomJonas Kirkegaard • Birgitte Folmann

10:00 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo

10:30 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Pontus Larsson • Volvo Sound design for automotive 3.09 - DynaudioFredrik Hagman Introduction to On-Set Sound: The Role of the Sound Mixer in Film 3.27 - AdamsonAllan Holmberg • Nordisk Film Fonden

11:00 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteJohn Scanlon • Dolby Institute Behind the Making of 'Tyran' 3.21 - Shure & L-AcousticsEmil Rothstein-Christensen • Anders Stegger Spatial Soundpiece for Rudolph Tegners museum 4.40 - Conference RoomDitte Rønn

11:30 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteJohn Scanlon • Dolby Institute Navigating Your Career in Audio: Education, Networking, and Opportunities 1.15 - StudentsbarJohn Krivit A Linear Score in an Interactive Medium: The Music of Avatar: Frontiers of Pandora 3.39 - AudiokineticLasse Skak Ernst • Massive Atmos First: Elevating Stereo Mixes with Immersive Technology 3.40 - NeumannDavid Ziegler • Frank Grønbæk Tracking and localization of sound at Det Kongelige Teater 3.26 - Meyer SoundJonas Vest The Art of Foley 0.40 - Motion Picture Sound EditorsShelley Roden • Nordisk Film Fonden

12:00 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteJohn Scanlon • Dolby Institute

13:00 CET

4 Sound Perspectives in Mixed Reality. 3.09 - DynaudioMons Niklas Schak

13:30 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteBoris Löhe • Dolby Institute Inside the Game: Mastering Atmos for Live Sports Broadcasting 3.40 - NeumannProf. Felix Krückels The Sonic Freelancer: Navigating your Game Audio Journey 3.39 - AudiokineticRonny S. Mikkelsen • Nikalaj de Haan • Mikkel Anttila • Katrine Amsler • Fanny Wree • Game Audio Denmark Introduction to Immersive Production for Binaural Audio 3.21 - Shure & L-AcousticsMarcela Rada Integration and interoperability in immersive live production 3.27 - AdamsonSylvain Thévenard • Adamson Wings of Imagination: The Affordances of Sound in Museum Exhibitions 4.40 - Conference RoomChristian Hviid Mortensen • Vitus Vestergaard

14:00 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteBoris Löhe • Dolby Institute Safe Listening Practices for Audio Engineers 3.05 - Recording StudioThomas Lund The Future of Podcasting: How to Develop and Empower New Talent 3.26 - Meyer SoundFinn Markwardt • Søren Brunsgaard • Anna Svensmark Møller • dorte palle jørgensen • Anders Stegger • Sandra Mia Susgaard Case Study: Zone of Interest 0.40 - Motion Picture Sound EditorsPeter Albrechtsen • Johnnie Burn • Nordisk Film Fonden Open Sound Check: Creating an Immersive Experience with ROYA 1.15 - StudentsbarRobert Borg • Tobias Riber Jakobsen • Roya

14:30 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteBoris Löhe • Dolby Institute

15:00 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteBoris Löhe • Dolby Institute Ineffective investigations, DIY experiments and an abandoned Oil Tank 3.39 - AudiokineticKatrine Amsler Designing Sound Worlds for Museums - Challenges and Creative Opportunities 4.40 - Conference RoomDavid Kamp

15:30 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Interactive Demos with Audiokinetic: Explore Object-Based Audio in Wwise 3.08 - Dolby Atmos Mastering SuiteMads Maretty Sønderup • Audiokinetic Discover the future of wireless in Pro Audio: WMAS - A flexible approach for Wireless Multichannel Audio Applications 3.21 - Shure & L-AcousticsEmanuele “Lele” Luongo • Shure & L-Acoustics Dolby Atmos Mixing - from headphones to the studio 3.40 - NeumannJohn Scanlon • Dolby Institute Sonic Travel 3.09 - DynaudioYann Coppier Crafting Immersive Audio Experiences for Audible and Beyond 3.27 - AdamsonKurt Martinez • Dolby Institute Introduction to Immersive Sound for Film and TV: Techniques and Tools 0.40 - Motion Picture Sound EditorsDr. Leslie Gaston-Bird • Nordisk Film Fonden

16:00 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Interactive Demos with Audiokinetic: Explore Object-Based Audio in Wwise 3.08 - Dolby Atmos Mastering SuiteMads Maretty Sønderup • Audiokinetic Introduction to Immersive Formats and Envelopment 3.05 - Recording StudioEddy Bøgh Brixen • Thomas Lund The Sound of Immersion: Mixing Metallica’s 360-Degree World 3.26 - Meyer SoundSebastian Jordan • Greg Price

16:30 CET

Exclusive Demo Session: Volvo EX90 Sound Experience Main EntranceJonatan Ewalds • Fredrik Hagman • Pontus Larsson • Volvo Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteBoris Löhe • Dolby Institute Game Developer First 3.39 - AudiokineticLydia Andrew • EA DICE

17:00 CET

Exclusive Studio Demos with Dolby Institute: Experience Dolby Atmos 3.08 - Dolby Atmos Mastering SuiteBoris Löhe • Dolby Institute Why Immersive Audio? – Industry Leaders on the Future of Sound 3.27 - AdamsonMarcela Rada • Jonatan Ewalds • Michael Romanowski • Oliver Scheuregger • David Ziegler Crafting Sound for Global Brands: The Art of Music Production 3.21 - Shure & L-AcousticsStine Kinck Sonic Heroes: The Art of Sound in Deadpool & Wolverine 0.40 - Motion Picture Sound EditorsPeter Albrechtsen • Craig Henighan • Lora Hirschberg • Nordisk Film Fonden

18:00 CET

Wednesday Social Dinner 1.20 - Canteen

19:30 CET

Alan Wake 2: Interactive Warm-Up & Q&A with Richard Lapington 3.39 - AudiokineticNiels Böttcher • Richard Lapington Screening: Roma 0.40 - Motion Picture Sound EditorsPeter Albrechtsen • Craig Henighan • Nordisk Film Fonden

20:30 CET

ROYA Live at Sonic Days 2024 1.15 - StudentsbarRoya