Sonic Days 2024

Oskar Lemke takes you through the process of producing music and sound design for the podcast Operation Pellegrino. 
Subjects that will be adressed are: 

• The research phase (before even opening a DAW) 
• Music Production phase 
• Delivery of the music 
• Sound design of Operation Pellegrino Episode 1 or 5
• Workflows and Geeky stuff 
• Q&A

Atmos First: Elevating Stereo Mixes with Immersive Technology
Join Atmos Music Mix Engineer Frank Grønbæk, supported by David Ziegler from Dolby, as they explore how starting with an Atmos mix can lead to a superior stereo mix. With modern audio technology, it’s possible to take advantage of the expansive soundscape of Atmos while delivering a highly refined stereo result. Through live demonstrations, attendees will experience a music production in full Atmos, through headphones, and in traditional stereo, showcasing how spatial audio techniques can enhance the final stereo mix. This session highlights the advantages of using Atmos as the foundation for all music mixes.

Join Prof. Felix Krückels, sound engineer and sound supervisor for Dolby Atmos live productions of the German Bundesliga and major international sports events, as he explores the state-of-the-art techniques and challenges in delivering Atmos for live sports. Through in-depth examples and playback demonstrations, attendees will gain insights into how some of Europe's foremost broadcast engineers bring the stadium experience to life for home viewers, with Atmos adding a new dimension to the game

Take your Dolby Atmos skills to the next level with this intermediate session, where we explore how to mix immersive audio across different environments. Whether you’re working with headphones, home studios, or professional setups, this presentation covers essential tips and techniques to ensure a consistent and dynamic Atmos mix. Learn how to adapt your workflow for different playback systems and create mixes that sound great in any setting.