How Can we Inspire the Music Industry to Dream and Create Immersive Music from the Start?
In 2018, we embarked on a research journey into 3D audio, frequently encountering remarkable technical initiatives. Yet, there was often little thought given to the artistic content or how to truly create, record, and mix music in 3D. This gap led to the development of EarWRM, a methodology designed to approach immersive music production from the ground up. In this presentation, I will explore the concept of EarWRM through a series of use cases. How can we guide both professional musicians and students as they prepare for their first immersive concert or composition? What software is essential for this process, and should we develop custom tools ourselves? Additionally, I will outline the framework we are developing for educating students, organizing songwriting camps, specifically designed to focus on immersive music production. By advocating for an immersive mindset from the very beginning of music creation, we aim to foster a future where the industry not only adopts immersive technologies but dreams within them.
Even the finest headphones recreate a limited spatial image, which can hinder workflow efficiency and content accuracy.
In this session Neumann will share their approach to headphone-based reference monitoring for stereo and immersive audio. The solution described is based around a full Neumann signal chain creating transparency, reliability and externalization combined with the perks of headphone monitoring.
Join immersive audio expert Eric Horstmann as he presents a deep dive into his work on Data Drop, an album currently being considered for Grammy nominations in several categories, including Best Immersive Album. In this session, Eric will showcase the intricate mixing process behind the project, offering insights into how Dolby Atmos and immersive audio elevate the listening experience across formats—from full Atmos to traditional stereo and headphones.
I'm a specialist in 3D audio application. Having overseen the installation of the first German Dolby Atmos mixing stage back in 2012 and since then mixed extensively in this format.I'm also running an own immersive music production studio in Berlin called "Immersive Lab" where we... Read More →
Thursday November 21, 2024 16:00 - 17:00 CET
3.05 Recording StudioUniversitetsparken 2, Kolding, Danmark
